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・ Giovanni Ribisi
・ Giovanni Ricci
・ Giovanni Motisi
・ Giovanni Muzio
・ Giovanni Muzzioli
・ Giovanni Naboth
・ Giovanni Nanni
・ Giovanni Narcis Hakkenberg
・ Giovanni Narváez
・ Giovanni Narzisi
・ Giovanni Nasalli Rocca di Corneliano
・ Giovanni Natoli
・ Giovanni Nepomucene Ruspoli, 5th Prince of Cerveteri
・ Giovanni Nepomuceno Della Croce
・ Giovanni Niccolò
Giovanni Niccolò Servandoni
・ Giovanni Nicelli
・ Giovanni Nicola di Paolo Manni
・ Giovanni Nicotera
・ Giovanni Nuvoli
・ Giovanni Odazzi
・ Giovanni Omiccioli
・ Giovanni Ordelaffi
・ Giovanni Orecchia
・ Giovanni Orfei
・ Giovanni Orlandi (engraver)
・ Giovanni Orlando
・ Giovanni Orseolo
・ Giovanni Orsina
・ Giovanni Ottavio Manciforte Sperelli


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Giovanni Niccolò Servandoni : ウィキペディア英語版
Giovanni Niccolò Servandoni

Jean-Nicolas Servan, also known as Giovanni Niccolò Servando or Servandoni (2 May 1695 - 19 January 1766) was a French decorator, architect, scene-painter and trompe-l'œil specialist.
He was the son of a carriage-builder at Lyon. Francesco Milizia claims Giovanni Girolamo Servandoni was born in Florence.
He was educated as an artist in Rome, but moved to Paris in 1724, where he became director of decorations ( 1724 to 1742 ) at the Paris Opera, at that time situated in the Théâtre du Palais-Royal. He became a member of the Académie Royale de Peinture et de Sculpture in 1731. His activity was considerable, whether as a painter or as an inventor of scenic contrivances for fêtes at the marriage of royal personages. He decorated public festivals in England, France, and Portugal.
During the years 1738-1743 and 1754-1758, Servandoni produced a series of successful theatrical productions much in the style of seventeenth-century machine plays, with an emphasis on elaborate changes in décor and special effects, often set to music. Unlike the machine plays of the seventeenth century, Servandoni's productions used pantomime rather than dialog, with a description of the story provided in the program. His productions were typically based on well-known stories from literature and mythology such as the ''Spectacle de Pandore'' ('1739) which told the tale of Prometheus and Pandora or "La forêt enchantée" (1754) which was inspired by Torquato Tasso's "Jerusalem Delivered."
He also designed the decorations for altars, and the façade for the church of Saint Sulpice in Paris. He died in Paris in the early 1766.
His writings include:
*''Description abregée de l'eglise Saint Pierre de Rome'' (Paris, 1738)
*''La Relation de la répresentation de la forêt enchantée sur le théâtre des Tuileries, le 31 mars 1754''.
==References==
Notes

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